in the studio
I've been arranging those bits of paper
and sticking them down
so with the addition of a few bits and bobs
so with the addition of a few bits and bobs
I go from this...
to this...
I love how you can start a collage without any real intentions
and as you stumble over random images and paper bits
*something* emerges
One of my ways of working is to start with an interesting image
and see where it takes me...
add a few bits from maps and a pocket ready reckoner?
draw some lines?
(and I think it's done)
connections. ecosystems. community. economy. history.
At other times things get a lot messier and layered
with gesso and fabric
with gesso and fabric
and rice paper and 'bits'
(and more gesso and more bits)
until I ask myself - is it finished yet?
(hmmmmmmmm....)
looking looking looking
(hmmmmmmmm....)
looking looking looking
what more does this need?
do I add things? (or take things away?)
hmmmmmm
looking looking looking
long looking is one of my main strategies in art making -
I may make rapid movements at times -
especially when the glue is drying out on my brush
but I take a looooooooong LOOOOOOONG time
looking looking looking
and
Sometimes, rather than layers and layers
of paper and paint and concept and meaning
I just play with the original image by filling the voids with patterns...
of paper and paint and concept and meaning
I just play with the original image by filling the voids with patterns...
I find it therapeutic and soothing
to systematically fill in a white space
and let go of all that thinking
to systematically fill in a white space
and let go of all that thinking
....