in the studio
I've been arranging those bits of paper
and sticking them down
so with the addition of a few bits and bobs
so with the addition of a few bits and bobs
I go from this...
to this...
I love how you can start a collage without any real intentions
and as you stumble over random images and paper bits
*something* emerges
One of my ways of working is to start with an interesting image
and see where it takes me...
add a few bits from maps and a pocket ready reckoner?
draw some lines?
(and I think it's done)
connections. ecosystems. community. economy. history.
At other times things get a lot messier and layered
with gesso and fabric
with gesso and fabric
and rice paper and 'bits'
(and more gesso and more bits)
until I ask myself - is it finished yet?
(hmmmmmmmm....)
looking looking looking
(hmmmmmmmm....)
looking looking looking
what more does this need?
do I add things? (or take things away?)
hmmmmmm
looking looking looking
long looking is one of my main strategies in art making -
I may make rapid movements at times -
especially when the glue is drying out on my brush
but I take a looooooooong LOOOOOOONG time
looking looking looking
and
Sometimes, rather than layers and layers
of paper and paint and concept and meaning
I just play with the original image by filling the voids with patterns...
of paper and paint and concept and meaning
I just play with the original image by filling the voids with patterns...
I find it therapeutic and soothing
to systematically fill in a white space
and let go of all that thinking
to systematically fill in a white space
and let go of all that thinking
....
Fabulous to see the work emerge, and the variety!
ReplyDeleteLove, love, love...all of it.....particularly the reference to looking, looking, thinking, thinking. Resonates with me.
ReplyDelete