Showing posts with label book edition. Show all posts
Showing posts with label book edition. Show all posts

Thursday, November 22, 2012

books...


I've been making books for BookArtObject edition 4

 

I've stupidly put my hand up to complete 3 small editions 
as part of the latest BAO major project
so I thought I really SHOULD 'seize the day'
and get started with my edition 'carpe diem' ....



'carpe diem' is an edition of 12
with 2APs (which are slightly larger and slightly different)  


 the artist proofs have been completed 
 and tomorrow I'm hoping to case-in the 12 little books in the edition 
that will be posted out to BAO group 11 peeps
and after they have all been received I'll do the big reveal


oooo I hope everyone enjoys the small book
(its had a loooooong gestation period)


.....






Monday, October 10, 2011

art and lies (lies and misdemeanours)...


Well folks it's past time for me to show you all
what I created for my second BAO project
based on an excerpt from Jeanette Winterson's 'Art and Lies' 

I made a small edition (just 12) of vertical hanging concertina booklets


 Rhonda Ayliffe
'Lies and Misdemeanours'
2011


archival inkjet print on TH Saunders
handcrafted distress dyed book cloth by the artist
satin ribbon 

The piece features a print from my ongoing 'codex incendium' series of ephemeral book/fire installations and an excerpt from 'The Enemies of Books' by William Blades 



Each 'Lies and Misdemeanours' booklet also contains a folded printed excerpt from my draft exegesis chapter (on biblioclasm). I thought this excerpt was especially pertinent to the Art and Lies project, as it contains my research and writing about the loss of the great library of Alexandria



There's also a small folded card-as-colophon (featuring a tiny print of an ephemeral work completed at the Cape Byron lighthouse in August this year...)



 (here's a few of the finished books... all folded up) 


I've blogged a couple of times about how this piece gave me quite a bit of grief, as I struggled with just the right approach to the Winterson text... In the end I decided to create a piece that was my response to the text (indeed there's no sign of the jumping off text in the final piece).  I chose a very simple structure as the text was incredibly dense... Misgivings and highly self-critical debate aside - I'm content with the final piece...

I'm especially thrilled with how the entire BAO 'Art and Lies' edition pulls together as a collection of books. When these books were exhibited together at Impact 7 recently, it was amazing to discover the unity of the collection. Despite that all the pieces were worked on separately and simultaneously on three different continents, by wildly different artists (all without any 'checking in' with each other about just how we were approaching the work) - strangely (fortunately) the work has a complementary aesthetic - and the edition looked fabulous sitting together. From a dispassioned, curatorial viewpoint, it was a nice moment!


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